{"id":255,"date":"2019-04-03T14:14:31","date_gmt":"2019-04-03T12:14:31","guid":{"rendered":"http:\/\/plusdunevoix.fr\/?page_id=255"},"modified":"2024-04-24T12:46:46","modified_gmt":"2024-04-24T10:46:46","slug":"phedre","status":"publish","type":"page","link":"https:\/\/plusdunevoix.fr\/index.php\/phedre\/","title":{"rendered":"Ph\u00e8dre"},"content":{"rendered":"

[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1554381995580{padding-top: 195px !important;}\u00a0\u00bb][vc_gallery interval=\u00a0\u00bb10″ images=\u00a0\u00bb1812,2004,1743,2033,2034,2036″ img_size=\u00a0\u00bb500*500″ onclick=\u00a0\u00bb\u00a0\u00bb][vc_empty_space][vc_empty_space][vc_empty_space][vc_video link=\u00a0\u00bbhttps:\/\/youtu.be\/4zFkiRsZ9zI\u00a0\u00bb][vc_empty_space][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1554382001913{padding-top: 195px !important;}\u00a0\u00bb][vc_column_text]<\/p>\n

Ph\u00e8dre de S\u00e9n\u00e8que<\/h1>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Mise en sc\u00e8ne de Serge Lipszyc<\/h2>\n

Ph\u00e8dre \u00e9voque la violence du d\u00e9sir impossible, un monde patriarcal qui vole en \u00e9clats, le r\u00eave d’une nature o\u00f9 se lover. S\u00e9n\u00e8que explore des ab\u00eemes sans fond qui ne finissent pas de nous refl\u00e9ter. Guitare, batterie, basse, les instruments fusionnent pour appuyer les voix, les contraindre \u00e0 parler, \u00e0 dire l’indicible, l’Homme et ce qui l’inqui\u00e8te: cette force sauvage qui agit en lui. La violence de Ph\u00e8dre n’est pas ext\u00e9rieure mais int\u00e9rieure. Chacun des personnages est immense, redoutable, troublant tant il nous ressemble, comme une version radicale d’une humanit\u00e9 qui devrait se taire et qui pourtant, nous parle.<\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

t\u00e9moignage sur le spectacle<\/h2>\n

\u00ab\u00a0L’on dirait une sorte d’oratorio, qui fait bien comprendre ce que pourrait \u00eatre une c\u00e9r\u00e9monie tragique, mais qui magnifie la litt\u00e9rature et cr\u00e9e des images tr\u00e8s fortes dans l’esprit du spectateur. La pr\u00e9sence tr\u00e8s intense des acteurs n’y est pas pour rien d’ailleurs.Le format peut se jouer partout et les acteurs savent transmettre au public leur passion des mots et du th\u00e9\u00e2tre provoquant de belles rencontres au service du th\u00e9\u00e2tre.\u00a0\u00bb
\nChristine Huckel-Ottenwelter, professeur de th\u00e9\u00e2tre au lyc\u00e9e Camille See.<\/p>\n

[\/vc_column_text][vc_column_text]<\/p>\n

Soutiens<\/h2>\n

DRAC Grand Est \u2013 R\u00e9gion Grand Est \u2013 Ville de Strasbourg – D\u00e9partement du Bas-Rhin – Spedidam – R\u00e9sidences et partenariats: Coproduction Salle Europe (Colmar), Com\u00e9die de Colmar (les greniers), Maison des arts (Lingolsheim), Espace Malraux (Geispolsheim), Espace Saint Gr\u00e9goire (Munster), Agence culturelle Grand Est<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb css=\u00a0\u00bb.vc_custom_1554379581260{padding-top: 40px !important;}\u00a0\u00bb z_index=\u00a0\u00bb\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/6″]

\n
\n\t\t\t\t\t
\n\t\t\t\t\"\"\n\t\t\t<\/div>\n\t\t\t\t
\n \n <\/i> <\/span>\n \t\t<\/div>\n\t<\/div>\n\t\t\t

\n\t\t\tSERGE LIPSZYC\t\t<\/h3>\n\t\t\t\t

\n\t\t\tcom\u00e9dien et metteur en sc\u00e8ne\t\t<\/p>\n\t<\/div>[vc_empty_space][\/vc_column][vc_column width=\u00a0\u00bb1\/6″]

\n
\n\t\t\t\t\t
\n\t\t\t\t\"\"\n\t\t\t<\/div>\n\t\t\t\t
\n \n <\/span> <\/span>\n \t\t<\/div>\n\t<\/div>\n\t\t\t

\n\t\t\tHELENE LACOSTE\t\t<\/h3>\n\t\t\t\t

\n\t\t\tcom\u00e9dienne\t\t<\/p>\n\t<\/div>[vc_empty_space][\/vc_column][vc_column width=\u00a0\u00bb1\/6″]

\n
\n\t\t\t\t\t
\n\t\t\t\t\"\"\n\t\t\t<\/div>\n\t\t\t\t
\n \n <\/i> <\/span>\n \t\t<\/div>\n\t<\/div>\n\t\t\t

\n\t\t\tFIONA CHAUDON\t\t<\/h3>\n\t\t\t\t

\n\t\t\tcom\u00e9dienne et chanteuse\t\t<\/p>\n\t<\/div>[vc_empty_space][\/vc_column][vc_column width=\u00a0\u00bb1\/6″]

\n
\n\t\t\t\t\t
\n\t\t\t\t\"\"\n\t\t\t<\/div>\n\t\t\t\t
\n \n <\/i> <\/span>\n \t\t<\/div>\n\t<\/div>\n\t\t\t

\n\t\t\tYANN SIPTROTT\t\t<\/h3>\n\t\t\t\t

\n\t\t\tcom\u00e9dien\t\t<\/p>\n\t<\/div>[vc_empty_space][\/vc_column][vc_column width=\u00a0\u00bb1\/6″]

\n
\n\t\t\t\t\t
\n\t\t\t\t\"\"\n\t\t\t<\/div>\n\t\t\t\t
\n \n <\/i> <\/span>\n \t\t<\/div>\n\t<\/div>\n\t\t\t

\n\t\t\tJEAN-CHRISTOPHE LAUTH\t\t<\/h3>\n\t\t\t\t

\n\t\t\tguitariste et percussionniste\t\t<\/p>\n\t<\/div>[vc_empty_space][\/vc_column][vc_column width=\u00a0\u00bb1\/6″]

\n
\n\t\t\t\t\t
\n\t\t\t\t\"\"\n\t\t\t<\/div>\n\t\t\t\t
\n \n <\/i> <\/span>\n \t\t<\/div>\n\t<\/div>\n\t\t\t

\n\t\t\tJEAN-LOUIS MARTINEAU\t\t<\/h3>\n\t\t\t\t

\n\t\t\tcr\u00e9ateur lumi\u00e8res\t\t<\/p>\n\t<\/div>[vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=\u00a0\u00bb\u00a0\u00bb row_type=\u00a0\u00bbrow\u00a0\u00bb use_row_as_full_screen_section=\u00a0\u00bbno\u00a0\u00bb type=\u00a0\u00bbfull_width\u00a0\u00bb angled_section=\u00a0\u00bbno\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb background_image_as_pattern=\u00a0\u00bbwithout_pattern\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1554381995580{padding-top: 195px !important;}\u00a0\u00bb][vc_gallery interval=\u00a0\u00bb10″ images=\u00a0\u00bb1812,2004,1743,2033,2034,2036″ img_size=\u00a0\u00bb500*500″ onclick=\u00a0\u00bb\u00a0\u00bb][vc_empty_space][vc_empty_space][vc_empty_space][vc_video link=\u00a0\u00bbhttps:\/\/youtu.be\/4zFkiRsZ9zI\u00a0\u00bb][vc_empty_space][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ css=\u00a0\u00bb.vc_custom_1554382001913{padding-top: 195px !important;}\u00a0\u00bb][vc_column_text] Ph\u00e8dre de S\u00e9n\u00e8que [\/vc_column_text][vc_column_text] Mise en sc\u00e8ne de Serge Lipszyc Ph\u00e8dre \u00e9voque la violence du d\u00e9sir impossible, un monde patriarcal qui vole en \u00e9clats,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/plusdunevoix.fr\/index.php\/wp-json\/wp\/v2\/pages\/255"}],"collection":[{"href":"https:\/\/plusdunevoix.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/plusdunevoix.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/plusdunevoix.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/plusdunevoix.fr\/index.php\/wp-json\/wp\/v2\/comments?post=255"}],"version-history":[{"count":145,"href":"https:\/\/plusdunevoix.fr\/index.php\/wp-json\/wp\/v2\/pages\/255\/revisions"}],"predecessor-version":[{"id":317,"href":"https:\/\/plusdunevoix.fr\/index.php\/wp-json\/wp\/v2\/pages\/255\/revisions\/317"}],"wp:attachment":[{"href":"https:\/\/plusdunevoix.fr\/index.php\/wp-json\/wp\/v2\/media?parent=255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}